Still and Solemn Chambers focuses on Farmer's paintings based primarily on the interiors spaces of temples in India, Burma, Cambodia, Laos and some churches in France and England. Abstracted from photographs, the images in the paintings remain referential but without identifiable symbols. The subjects of these paintings can be vibrant places, full of people, ringing with activity or as often, still and solemn chambers.
CATHEDRALE NOTRE DAME DE PARIS, 2016, Frank Farmer. Enamel paint on glass, acrylic paint on plexiglass, wooden structure with composite frame. 37 x 30 x 2 inches